Jean-Michel Jarre is properly-identified not simply for his studio albums but also for his impressive live performances. In 1979, he structured a concert in Paris to celebrate the 200th anniversary in the French Revolution, which captivated over 2.

Essentially the most good evaluate came from Robin Smith of Record Mirror, during which he said that, "It truly is rather difficult to speak warmth through such songs and the top item is frequently stilted but Jean Michael Jarre has laid down a variety of forms joined together by cohesive lines." He also explained Jarre being a "French Mike Oldfield" by "possessing the exact same emotive powers.

Oxygène has long been described as the album that "led the synthesizer revolution from the Seventies"[5] and "an infectious mix of bouncy, bubbling analog sequences and memorable hook traces".[6] The album influenced afterwards artists like Moby and Brian Canham of Pseudo Echo.

In early 1977, Jarre together with extended-time collaborator Juvet decided to place with each other the exact same team with the album Mort ou vif and set about writing the album Paris by Evening [fr], which contained the hit single "Où sont les femmes?

Ce morceau sera repris sous le titre En attendant Cousteau sur l'album suivant et ensuite utilisé en guise de musique d'attente avant le début des concert events de Jarre.

Le seventeen novembre 2008, il est fait docteur honoris causa de l’Académie des Sciences de Russie au titre de « sa contribution au développement de la tradition dans le domaine de la musique et son engagement Jean Michel Jarre pour la security de l’environnement ».

Victoires de la musique 1986 : Victoire de l'album de variété instrumentale pour Rendez-vous et Victoire du spectacle musical pour son live performance à Houston

The floating phase on which Jarre and his musicians done was created on top of four big barges. Large objective-designed Display screen screens were being built, and one of many structures for use being a backdrop was painted white.

He's quoted as declaring that “now is definitely the most enjoyable time to create, for making tunes, also to share across countless mediums”. Jarre is UNESCO ambassador for education and learning, science and culture, an unconditional defender on the planet and the surroundings and Laureate from the Stephen Hawking Medal for scientific conversation.

Acquiring adopted formal scientific tests of harmony and counterpoint on the Conservatoire de Paris, he was motivated to reinvent music at its core, along with his own singular vision, deploying the technological innovation and applications of his time.

Photos of h2o and the natural environment ended up projected on to nine vertical screens, held in position by sand which was watered to help keep it tricky. Several permanent consuming fountains were built on the positioning, along with a long-lasting electrical energy set up. Jarre was accompanied by above sixty Moroccan artists.[eighty five] Jarre launched Téo & Téa in 2007, a studio album that described different levels of the loving partnership.[86]

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Jim Brenholts from AllMusic said that it "is one of the initial e-tunes albums" and that it "has withstood the test of time along with the evolution of digital electronica." He also deemed that "Jarre's compositional design and style and his rhythmic instincts ended up his solid factors in 1976" Which "the innocence and freshness present nearly all of its appeal.

The album showcased the iconic keep track of “Oxygène, Section four,” which attained all over the world recognition and is protected quite a few moments. This album marked the start of his extended and productive profession.